• Aksel Kjersgaard

    Both designer and manufacturer, Aksel Kjersgaard created and produced furniture at the height of the Danish Midcentury Movement.

    In 1952, after working and traveling in Europe and Morocco, Kjersgaard returned to Denmark and founded his eponymous production company. In 1955, Aksel Kjersgaard A/S started producing cabinets, sideboards, consoles and sideboards - all with the hallmarks of Danish modernism - in woods with beautiful grains such as rosewood and teak; and with clean lines and a minimalist aesthetic.

    Kjersgaard worked with iconic Danish designer Kai Kristiansen in the 1950s and '60s, and with Ebbe Gehl & Søren Nissen from 1970, both of whom had previously worked for Rud. Rasmussen in Copenhagen. Although few production dates or model names are available, Kjersgaard's works are stamped and/or numbered, making them easy to identify and sought after on the vintage market.

  • Gaetano Pesce

    Gaetano Pesce is an Italian architect and a design pioneer of the 20th century.
    Pesce was born in La Spezia in 1939 and grew up in Padua and
    Florence. During his 50-year career, Pesce has worked as
    architect, urban planner and industrial designer

  • Eileen Gray

    Eileen Gray was born on August 9, 1878 near
    Enniscorthy, a town in southeastern Ireland, as Katherine
    Eileen Moray Smith. Her father James Mc Laren Smith was an artist and
    encouraged his daughter's artistic interest. Her mother
    Eveleen Pounden was a baroness who in 1895 obtained this title of lordship
    Gray inherited from her mother.

    In 1898 Eileen Gray studied painting at the Slade School of Fine
    Art, a renowned art academy that was part of the
    University College, London. Two years later, in 1900, she moved
    to Paris and there she continued her studies at the Académie Julian, a
    highly regarded private academy and the Académie Colarossi. The same
    year in which she made her first visit to the world exhibition
    Exposition Universelle, an exhibition of everything that has happened in the past
    century had been achieved and to promote development in the next century.
    Gray then settled back in London in 1905 and travelled there
    and back again between Paris, Ireland and London. She not only created some of the most important furniture
    20th century classics, but she also had her own studio where carpets and rugs were produced based on her designs.

  • Kalmar

    One of the most famous
    Kalmar's designers are JT Kalmar, the founder of the company. He
    designed many iconic designs for the company, including the "K200"
    table lamp, which has become a modern design classic.In the
    Over the years, Kalmar has continued to collaborate with renowned
    designers such as Adolf Loos, Michael Anastassiades and Ross Lovegrove. Their
    creations have helped to establish Kalmar's reputation as one of the leaders in
    to uphold the field of contemporary design.Today
    Kalmar continues to provide high-quality lighting, furniture and accessories
    producing for customers all over the world while remaining loyal
    to its tradition of innovative and timeless design.

  • Charlotte Perriand

    Charlotte
    Perriand, a French architect and designer, acquired general
    fame when she exhibited at the “Salon” at the age of 24
    d'Automne” from 1927 with her work “Bar under the Roof”, a piece of furniture
    of chromed steel and anodized aluminum. Shortly after, she was
    invited to collaborate with Le Corbusier and Pierre Jeanneret, a
    collaboration that would last almost 10 years. Together they presented at the
    “Salon d'Automne” of 1929 the concept “The Equipment of Habitation:
    shelves, seating, tables”.
    These pieces of furniture were later produced by Thonet and then by the Cassina brand. From 1940 onwards her style was strongly influenced by her long stay in the Far East, especially in Japan from 1940
    until 1942. From 1962 Charlotte Perriand was involved in a
    large-scale design project for several ski resorts in Savoie.

  • Rodriguez Region

    Internationally recognized as one of the most influential modern
    designers from Brazil, Rodrigues' most famous project is undoubtedly
    the Mole armchair (1957), which won first prize at the International
    Furniture competition of 1961 in Italy. The chair was produced by ISA
    in Italy and was sold worldwide under the name Sheriff.
    Biography
    He studied at the National School of Architecture in Rio de
    Janeiro. After graduating in 1952, Rodrigues concentrated more on
    furniture design and opened together with the Hauner brothers, Italian
    designers, Moveis Artesanal Paranaense, the first modern art and
    furniture store in Curitiba.
    In 1955 he founded Oca, a brand based in Ipanema and focused on
    the development of modern Brazilian furniture. He stayed with the
    company until 1968. Between 1963 and 1968 Rodrigues also worked at
    Meia-Pataca, a design company specialized in mass production and
    affordable furniture.
    Rodrigues' work defends Brazilian identity by often using
    to be made from traditional shapes and indigenous materials such as Peroba,
    Jacaranda and Imbuia wood species

  • Johannes Andersen

    Johannes Andersen (1903–1991): was a Danish furniture designer and architect known for his elegant, refined designs and his contribution to the heyday of Danish modernism. His work is characterized by flowing lines, subtle details, and an exceptional sense of craftsmanship. Although he does not enjoy the same name recognition as contemporaries such as Hans Wegner and Arne Jacobsen, his furniture is beloved by collectors and design enthusiasts for its timeless beauty and practical functionality.

    Andersen was born in Aarhus, Denmark, and trained as a cabinetmaker. This artisanal background laid the foundation for his later career as a designer. He set up his own studio and worked with renowned furniture manufacturers such as CFC Silkeborg, Christian Linneberg and Uldum Møbelfabrik. His designs found their way into homes and offices all over the world, and he played an important role in spreading the reputation of Danish design as synonymous with quality and aesthetics.

    One of Andersen's most iconic designs is his coffee table with built-in drawers and organically shaped details, produced by CFC Silkeborg. The table combines functionality with sculptural forms and is a perfect example of his aim to combine elegance and practicality. His chairs and tables are characterised by soft, rounded edges, a streamlined shape and a harmonious use of wood types such as teak and rosewood.

    In addition to furniture, Andersen also designed smaller objects and accessories, often with a playful element. His work was always closely connected to the craftsmanship of woodworking, where every detail was carefully worked out to ensure both beauty and durability.

    Andersen's designs fit perfectly into the tradition of Danish modernism, where functionality and aesthetics go hand in hand. His work is now considered timeless and highly sought after on the international vintage furniture market. Johannes Andersen leaves behind a legacy that not only embodies the essence of Scandinavian design, but also shows a deep appreciation for the craftsmanship that goes into each piece of furniture.

  • Charles & Ray Eames

    Charles (1907-1978) and Ray Eames (1912-1988) were an American design couple who had an enormous influence on modern design, architecture and industrial design. Their work is characterized by an innovative approach to materials, functionality and aesthetics, and many of their designs have become iconic pieces that are still popular today.

    Charles Eames was born in St. Louis, Missouri, and studied architecture at Washington University. Ray Eames, born Ray Kaiser in Sacramento, California, studied painting at the Cranbrook Academy of Art, where she met Charles. The two married in 1941 and formed a creative partnership that would last for decades.

    One of their most groundbreaking contributions to design was their work with molded plywood, which led to the creation of the famous Eames Lounge Chair and Ottoman (1956), a luxurious chair that combined comfort with a streamlined modern design. They had previously developed the Eames Molded Plywood Chair (1946), a revolutionary design that pushed the boundaries of material use. Other well-known designs include the Eames Plastic Chair , a versatile chair that was ideal for both homes and public spaces, and the Eames Hang-It-All , a playful coat rack that added a splash of color to interiors.

    In addition to furniture, Charles and Ray Eames were involved in architecture and multimedia. Their experimental home, the Eames House (1949), is an icon of modernist architecture. Built as part of the "Case Study Houses" project, it reflects their vision of a simple yet functional living space. In addition, they produced films, graphic works and exhibitions, often using innovative techniques to make ideas about design and technology accessible.

    What sets the Eameses apart is their philosophy that design should be both beautiful and functional, and that it can improve the quality of everyday life. They believed that good design should be accessible to everyone, and their work reflects a perfect balance between accessibility, playfulness and technical perfection.

    Charles and Ray Eames are considered pioneers of modernism, and their designs continue to inspire architects, designers and design enthusiasts around the world.

  • Cees Braakman

    Cees Braakman (1917-1995): A pioneer in Dutch design

    Cees Braakman was strongly inspired by the work of Charles and Ray Eames for Herman Miller. The techniques and materials used influenced his own designs, which quickly took an important place in Dutch design history. Icons such as the SM05 steel wire chair (1958), the S33 desk (1958) and the TM05 sideboard (1950) are just a few examples of his legendary work.

    Biography

    Cees Braakman was born in the Netherlands in 1917 and began his career as a designer at a young age. At the age of 17, he started working for the well-known Dutch furniture manufacturer UMS Pastoe. He later moved to the United States, where he further developed his knowledge of design. There he discovered the work of Charles and Ray Eames for Herman Miller, which inspired him greatly.

    After his return to the Netherlands, Braakman decided to experiment with new materials, including plywood. His aim was to create furniture that was both functional and aesthetically pleasing. This pursuit led, among other things, to the development of his famous collection of modular cabinets, which reflect the principle of versatility and ease of use.

    Braakman marked the history of Dutch design with his innovative use of geometric shapes and progressive technologies, with which he had a lasting influence on the design world.

  • Le Corbusier

    Le Corbusier (1887-1965)

    Le Corbusier, born Charles-Édouard Jeanneret-Gris, was an influential Swiss-French architect, urban planner, and designer, who is considered one of the founders of modern architectural and interior design. Known for his minimalist approach and use of industrial materials, he designed iconic buildings such as the Villa Savoye in France and the Unité d'Habitation in Marseille. Le Corbusier was also a pioneer in furniture design, with famous pieces such as the LC2 and LC4 armchairs, still considered classics. His work emphasized functionality, simplicity, and the integration of technology, and had a lasting influence on 20th-century architecture and design.

  • Vico Magistretti

    Vico Magistretti (1920-2006)

    Vico Magistretti was one of the most prominent Italian designers of the 20th century, known for his innovative approach to both architecture and furniture design. Born in Milan, he graduated from the prestigious Politecnico di Milano and worked with several leading brands, including Cassina and Oluce. Magistretti was known for his functional and aesthetically refined designs, which often combined simplicity with technical progress.

    His designs were the result of a deeper understanding of the materials and techniques he worked with. Magistretti designed iconic furniture such as the Maralunga sofa (1973) and the Eclisse lamp (1965), which are still loved today for their timeless appearance and ease of use. His work was characterized by clean lines, geometric shapes and a focus on creating practical yet aesthetic solutions for everyday use.

    Magistretti was not only a master of furniture design, but also of interior concepts and urban spaces. His work combined the Italian tradition of craftsmanship with the emerging modernist movements, making him one of the leading figures in the development of Italian design in the 20th century.

  • Kai Kristiansen

    Kai Kristiansen (1929-2018)

    Kai Kristiansen was an influential Danish designer known for his elegant and functional furniture. Born in Denmark, he began his career as an architect before devoting himself entirely to furniture design. Kristiansen was a prominent figure in the Danish design movement of the 1950s and 1960s, gaining worldwide recognition for his refined aesthetics and high-quality craftsmanship.

    His designs, often characterized by clean lines and subtle details, combined traditional Danish craftsmanship with modernist principles. Kristiansen worked with materials such as teak, oak and leather, and his designs were praised for their ease of use and timeless beauty. One of his best-known works is the FM Reolsystem , a modular bookcase that is both stylish and practical.

    Kristiansen's work is still valued by collectors and lovers of Scandinavian design for its refinement, functionality and the quality he put into each creation. His furniture remains popular to this day, with a lasting influence on modern design.

  • Hans J. Wegner

    Hans J. Wegner (1914–2007) was a Danish furniture designer known worldwide for his iconic designs and timeless style. A pioneer of modernist design, he combined functionality with a refined aesthetic, making him one of the most influential furniture designers of the 20th century.

    Born in Tønder, Denmark, Wegner began his career as an apprentice carpenter. His passion for woodworking and eye for detail developed further when he later studied architecture at the Danish Royal Academy of Fine Arts in Copenhagen. There, his talent was quickly recognized, and he began working with prominent designers such as Arne Jacobsen.

    Wegner's work is characterized by simplicity, elegance and ergonomics. He believed that good design should be both beautiful and functional. His most iconic creations are his chairs, such as the Wishbone Chair (1949) and the Round Chair (1949), often called the “Chair of Chairs”. These designs combine traditional craft techniques with modern forms and are made with attention to comfort and durability.

    Wegner used mainly natural materials such as wood, often emphasizing the structure and beauty of the material. His designs have an organic and timeless character, which is why they are still popular today.

    Hans J. Wegner's groundbreaking work has earned him numerous international awards and left a lasting impact on the world of interior design. His furniture is considered a work of art and is a symbol of the Danish design philosophy of simplicity and quality.

  • Poul Cadovius

    Poul Cadovius (1911-2011) was an influential Danish designer and entrepreneur, best known for his innovative modular furniture designs. His work focused on flexibility, space-saving and functionality, and he made a major contribution to Danish modernist design in the 20th century.

    Born in Frederiksberg, Denmark, Cadovius began his career as a saddler before discovering his passion for interior design. His breakthrough came in 1948 with the introduction of the groundbreaking Royal System , a modular wall system that became popular worldwide. Consisting of floating shelves and storage modules attached to wall rails, the Royal System offered an entirely new approach to interior design. The design combined aesthetics with practicality and allowed users to configure their furniture to their own liking. This was revolutionary at a time when furniture was often heavy and fixed.

    The success of the Royal System made Cadovius a visionary in modular design. He saw furniture not just as objects of use, but as a way to optimize living space. His motto, "space belongs to man," reflected his belief that design should contribute to a more efficient and enjoyable everyday life.

    In addition to the Royal System, Cadovius also designed other modular furniture pieces and founded several companies, including Cado, a leading manufacturer of design furniture. He collaborated with prominent designers such as Arne Vodder, further strengthening his position in the Danish design world.

    Cadovius' designs remain beloved to this day for their timeless appeal and practicality. He is remembered as a pioneer who fundamentally changed the way we approach spaces and furniture.

  • Mario Bellini

    Mario Bellini (1935) is a renowned Italian architect and industrial designer, internationally known for his versatile and innovative designs. His work ranges from furniture and electronic equipment to impressive architectural projects, and his name has become synonymous with refined Italian design.

    Bellini was born in Milan and studied architecture at the Polytechnic University of Milan, graduating in 1959. His career began in the 1960s, when he worked as a designer for Olivetti, one of the leading companies in electronics and office equipment. For Olivetti, he designed iconic products such as the Divisumma 18 calculator and the E102 typewriter , which were groundbreaking for their combination of functional simplicity and aesthetic elegance. His work for Olivetti won several awards, including the prestigious Compasso d'Oro.

    In the world of furniture design, Bellini is best known for his designs for top brands such as Cassina, B&B Italia and Vitra. His furniture, such as the Cameleonda sofa (1970), the Le Bambole collection (1972) and the Cab chair (1977), have become design classics. These designs are loved for their innovative use of materials, comfort and sculptural forms. The Cameleonda sofa, with its modular design, became a symbol of the free and playful interior style of the 1970s and is experiencing a revival today.

    In addition to industrial design, Bellini is also a successful architect. He designed prestigious projects such as the New National Gallery of Victoria in Melbourne and the Islamic Arts Department of the Louvre in Paris. His architecture reflects the same attention to detail, space and human interaction that characterizes his industrial designs.

    Bellini has won over eight Compasso d'Oro awards throughout his career and his work is exhibited in museums worldwide, including the permanent collection of the MoMA in New York, where 25 of his designs are included. His philosophy is to create designs that are not only functional and beautiful, but also connect with people emotionally.

    Mario Bellini remains an influential figure in both the worlds of design and architecture, and his work embodies the perfect balance between innovation, craftsmanship and Italian style.

  • Børge Mogensen

    Børge Mogensen (1914-1972) was a prominent Danish furniture designer and one of the key figures in Danish modernism. His work is characterised by timeless simplicity, functionality and a deep connection to traditional craftsmanship. Mogensen's designs are considered iconic and remain beloved for their practical beauty and enduring quality.

    Born in Aalborg, Denmark, Mogensen began his career as a cabinetmaker before studying at the Danish Royal Academy of Fine Arts in Copenhagen. There he was strongly influenced by Kaare Klint, the founder of modern Danish furniture design, who promoted a functional and minimalist approach to design. This philosophy formed the basis of Mogensen's own work.

    Mogensen believed in creating furniture that was both elegant and useful in everyday life. He drew inspiration from traditional furniture, folk art and simple designs from other cultures, such as the Shakers in America and English country house furniture. He combined these influences with modern manufacturing techniques to create furniture that was accessible, comfortable and durable.

    Some of his most famous designs include the Hunting Chair (1950), a low leather chair with a rustic look, and the Spanish Chair (1958), a masterpiece of leather and wood that combines elegance and functionality. Both designs reflect his love of natural materials and craftsmanship. Other well-known pieces include the Sleigh Chair and the J39 Chair , also called "The People's Chair" for its simple design and wide accessibility.

    Throughout his career, Mogensen worked with manufacturers such as Fredericia Furniture, where many of his designs are still in production today. His furniture was designed to last for generations, with a focus on quality over trends.

    Mogensen is often praised for his modest and human-centered approach to design. He aimed to enhance people's living environments with practical and beautiful furniture that complemented the interior, rather than dominating it.

    Although he passed away in 1972, Børge Mogensen's legacy lives on. His designs are timeless and fit into both classic and modern interiors, making him an undeniable pioneer in the world of Danish design.

  • Carlo Nason

    Carlo Nason (b. 1935) is an Italian designer known for his refined and innovative work in glass, particularly in the world of lighting design. As the heir to a family with a long tradition of glassblowing on Murano, Nason brought a fresh perspective to the age-old craft. His work combines traditional craftsmanship with modernist and functional designs, giving him a unique place in the history of Italian design.

    Nason grew up in Murano, the famous home of Venetian glass. His family, the glassblowers of Nason & Moretti, had been working in the craft since the 16th century. Carlo became familiar with the material and techniques from an early age, but he wanted to move beyond the traditional designs of Murano and experiment with contemporary forms and applications.

    In the 1960s, Carlo Nason began collaborating with Italian design brands such as AV Mazzega, for whom he designed a number of iconic lamps. His designs, such as the Cascade Chandelier and the Cubist Lamps , are beloved for their sculptural and modular nature. He often used layered glass elements, carefully blown by hand, to create a refined play of light and shadow. The use of muted colours and clear shapes gave his work a timeless aesthetic.

    Nason's designs reflect a balance between tradition and modernity. While remaining faithful to the high-quality techniques of Murano, he used simple, geometric shapes and a minimalist approach that perfectly matched the taste of modernism. He considered lighting not only as functional, but also as an art form that could evoke emotions and transform the atmosphere of a space.

    Today, Carlo Nason's designs are considered true works of art. Many of his original pieces are exhibited in design museums and are highly sought after on the vintage market. His legacy shows how traditional craftsmanship and modern aesthetics can go hand in hand to create timeless masterpieces.

  • Eero Saarinen

    Eero Saarinen (1910–1961) was an influential Finnish-American architect and designer known for his iconic and futuristic designs. His work is characterized by an innovative approach to form and material, often breaking traditional boundaries of design. Saarinen is considered one of the most visionary designers of the 20th century, both in architecture and furniture design.

    Furniture design

    Saarinen is world-famous for his furniture designs, which he often created in collaboration with the American company Knoll. His best-known pieces are the Tulip Chair (1956) and the Tulip Table , part of the Pedestal Collection. With these designs, Saarinen wanted to do away with the "cluttered legs" under tables and chairs. The flowing, organic shapes and the use of innovative materials such as fiberglass and aluminum made the collection groundbreaking.

    Other iconic designs include the Womb Chair (1948), a comfortable and enveloping chair intended to provide a sense of security, and the Executive Chair , a timeless piece that combined comfort with clean lines.

    Architecture

    In addition to his furniture, Saarinen was a visionary architect. His best-known work is the Gateway Arch (1965) in St. Louis, Missouri, a monumental arch that symbolizes the westward expansion of the United States. Other notable projects include the TWA Flight Center (1962) at John F. Kennedy Airport, a masterpiece of futuristic design, and the General Motors Technical Center (1956), considered an icon of modernist architecture.

    Saarinen's style varied greatly from project to project. He believed that each design should have its own character, depending on its function and context. This made him a versatile designer who was not stuck in a particular movement.

  • Tobia Scarpa

    Tobia Scarpa (b. 1935) is an Italian architect and designer known for his refined and versatile designs. He has worked in a variety of disciplines, from furniture design and lighting to architecture. Together with his wife Afra Scarpa, he has made a significant contribution to Italian modernism, with designs that combine craftsmanship with a keen eye for aesthetics and functionality.

    Early life and education

    Tobia Scarpa was born in Venice, the son of the famous architect and designer Carlo Scarpa. Raised in an environment full of creativity, Tobia developed a passion for design at an early age. He studied at the University of Venice, where he graduated in architecture in 1959. His academic background gave him a solid foundation to excel in both architecture and industrial design.

    Collaboration with Afra Scarpa

    Tobia worked with his wife Afra Scarpa for much of his career. The duo became known for their collaborations with prominent Italian design companies such as Cassina, B&B Italia, Flos and Gavina. Their designs reflected a shared vision: to create furniture that was both elegant and functional, with a deep respect for materials and craftsmanship.

    Iconic designs

    One of Tobia Scarpa's most iconic creations is the Soriana Sofa (1969), designed for Cassina. This revolutionary piece combined comfort with a sculptural aesthetic and won the prestigious Compasso d'Oro award. The sofa, with its striking, soft upholstery held by a metal frame, remains a classic of contemporary interior design.

    For the lighting industry, Scarpa designed, among other things, the Foglio Wall Lamp (1966) and the Biagio Table Lamp for Flos. These lamps are minimalist and refined, with a timeless appeal. His use of materials such as metal and glass reflects a modernist approach that is both elegant and functional.

    Philosophy and style

    Scarpa's designs are characterised by a deep appreciation for materials and craftsmanship. He seamlessly combined traditional techniques with industrial production processes, making his designs both innovative and timeless. His style often balances between modernism and classical influences, with a focus on simplicity, comfort and usability.

    Architecture

    In addition to his work in industrial design, Tobia Scarpa has also completed notable architectural projects. He has designed factory buildings, such as the Benetton factory in Treviso , which combine functional architecture with a contemporary aesthetic.

    Heritage

    Tobia Scarpa remains an important figure in the world of design and architecture. His work is included in the collections of leading museums, such as the MoMA in New York, and his designs are still produced and appreciated today. Scarpa's philosophy of simplicity, attention to detail and respect for materials has had a lasting influence on the Italian design landscape and beyond.

  • Giancarlo Piretti

    Giancarlo Piretti (b. 1940) is an Italian designer known for his innovative and functional furniture designs, often focused on user-friendly and modular solutions. His work, with a focus on versatility and simplicity, has earned him a prominent place in Italian modernist design of the 20th century.

    Piretti studied at the Istituto Statale d'Arte in Bologna, where he developed his interest in industrial design. After graduating, he began working as a designer at the Italian furniture company Castelli, where he would develop his most iconic creations.

    Piretti's most famous design is without a doubt the Plia Chair (1967), a folding chair that was not only a technical masterpiece, but also a stylish and practical design. The Plia Chair is a lightweight chair with a metal frame and a seat and backrest made of transparent plastic. The ingenious hinge mechanism and the minimalist appearance made the chair a worldwide success. With its sleek design and space-saving properties, the Plia Chair became an icon of modern Italian design and a commercial success, selling millions of copies.

    Another influential work by Piretti is the DCS 106 chair system , a modular chair system distinguished by its simple and functional design. These stackable chairs are widely used in public spaces such as auditoriums, offices and conference rooms.

    Piretti's design philosophy revolved around creating products that were not only aesthetically pleasing, but also practical and efficient in use. He experimented with materials such as plastic and aluminium to create furniture that was both light and durable. His focus on ease of use and modular solutions made his work particularly suited to modern interiors and public environments.

    Giancarlo Piretti's work has received several prestigious awards, including the Compasso d'Oro for the Plia Chair. His designs are included in the collections of leading design museums, including the MoMA in New York and the Victoria & Albert Museum in London.

    With his innovative and timeless approach to industrial design, Giancarlo Piretti has had a lasting impact on the world of furniture design. His work continues to inspire both designers and lovers of modern Italian design today.

  • Johannes Andersen

    Johannes Andersen (1903–1992) was a Danish furniture designer known for his elegant and functional designs, which often combined traditional Danish craftsmanship techniques with a modern aesthetic. His work was characterised by refined detail, quality materials and an emphasis on both beauty and practicality. Andersen was an important figure in Danish modernism and his designs continue to be valued for their timeless style today.

    Andersen began his career as a cabinetmaker and studied at the Danish Royal Academy of Fine Arts, where he gained his foundation in furniture design. The Danish design of this period, with its focus on simplicity and functionality, would have a lasting influence on his work. During the 1940s and 1950s he worked for several Danish furniture manufacturers, including the well-known company Uldum Møbelfabrik. He became known for his cleanly designed furniture that always exuded a refinement of style and craftsmanship. His designs were often minimalist, yet rich in detail, with attention to the ergonomics of the design and the careful finishing of the materials.

    One of Andersen's most iconic designs is the Model 161 chair (1950s), a comfortable dining chair with a slender wooden frame and a playful, curved backrest. This chair, along with other pieces such as the Model 1100 armchair, showcased his craftsmanship in woodworking and his ability to combine functionality and aesthetics. His designs for coffee tables, bookcases, and storage furniture are also praised for their simplicity and versatility. Andersen used primarily local woods such as teak and oak, combining them with other materials such as leather and textiles to create furniture that was both attractive and practical. The result was a series of furniture pieces that defined mid-20th-century Danish design.

    Johannes Andersen believed in creating furniture that would last and at the same time contribute to improving people's quality of life. His designs focused on both aesthetic value and ease of use, with a special focus on comfort and functionality. His work had a lasting influence on the Danish furniture industry, and his furniture is still praised for its quality and elegance. Although often overshadowed by other great names in Danish design, such as Hans J. Wegner and Arne Jacobsen, Andersen is today being rediscovered as one of the key figures of Danish modernism. Johannes Andersen's furniture is still collected and exhibited in museums, and his designs remain relevant to modern interiors. His contribution to Danish design is undeniable, and his work continues to exemplify the perfect balance between functionality, aesthetics and craftsmanship.

  • Niels Otto Møllerg

    Niels Otto Møller (1920–1982) was a Danish furniture designer best known for his elegance, craftsmanship and innovative approach to design. His work is strongly connected to the Danish design tradition of the 20th century, characterised by simplicity, functionality and the use of high-quality materials. Møller was one of the prominent designers who brought modern Danish furniture design to an international audience.

    Møller began his career as a cabinetmaker, learning the tricks of the trade under the influence of the craft. He started his own furniture company in 1944, where he designed furniture in collaboration with his team. The company, JL Møllers Møbelfabrik , quickly became known for its refined and high-quality furniture, which was both stylish and functional.

    One of Møller’s best-known designs is the Model 71 Chair (1960), a dining chair that is now considered one of the icons of Danish design. The chair has an elegantly curved wooden frame and a comfortable, simple seat, while the design is both light and strong. This model emphasises Møller’s ability to perfectly balance aesthetics and functionality. Other popular designs include the Model 55 and Model 63 chairs, which exude the same refined simplicity and craftsmanship.

    Møller was highly skilled in the use of wood, especially teak and oak, and his work was known for its durable quality and the care with which each piece of furniture was crafted. He often worked with the fine details of the material, with the design emphasising the natural character of the wood. It was important to Møller that his furniture was timeless and would last for generations, resulting in pieces that were both aesthetically and practically appealing.

    Møller's designs are characterised by their refinement, simplicity and functional beauty. He was a master at combining tradition with a modern expression, taking Danish design of the 1950s and 1960s to new heights. His work is still highly valued by collectors and design enthusiasts, and can be found in the collections of museums all over the world. Niels Otto Møller remains an important figure in the history of Danish design, and his furniture designs are still produced and used today in interiors that emphasise the timeless beauty of his work.

  • Paavo Tynell

    Paavo Tynell (1890–1973) was a Finnish designer best known for his innovative work in lighting. He was one of the key figures in the rise of Finnish modernism in the first half of the 20th century. His designs for lighting, furniture, and interior accessories were known for their refined beauty and functionality, using natural materials such as brass, glass, and wood. Tynell was known for creating elegant yet simple designs that simultaneously captured the aesthetics of modernism and the warmth of Scandinavian design.

    He played an important role in the Finnish design world. He worked for the Finnish lighting company Idman, where he created some of his most famous designs. His lamps were often designed to spread a soft, diffuse light, creating a warm and inviting atmosphere in a room. This was achieved, among other things, by using detailed perforated metal or by combining different materials such as brass and glass.

    Tynells designed the Tynell Lamp , which became popular in the 1930s. These lamps were elegant pieces that were both practical and aesthetically pleasing, and they helped to lay the foundation for the lighting designs that would later become known in the Scandinavian design tradition. His work combined modernist forms with the functionality that is so characteristic of Scandinavian design, and his designs were able to provide the perfect balance between design and functionality.

    His designs can be found in collections of famous museums worldwide. He remains an influential figure in the history of lighting and design, and his work continues to influence contemporary designers who seek the same balance between beauty and functionality. Paavo Tynell is today regarded as a pioneer of modern lighting, and his timeless designs remain an important source of inspiration for the design world.

  • Afra Scarpa

    Afra Scarpa (1937) is an Italian designer who, together with her husband Tobia Scarpa, has made a significant contribution to the world of industrial design and furniture design. Her work, which often combines the power of simplicity and functionality, has had a lasting influence on the Italian design scene. Afra's designs are known for their refined lines, use of high-quality materials and their ability to seamlessly integrate aesthetics and practicality.

    Afra began her career in the 1960s, collaborating with Tobia Scarpa on many of their joint projects. The duo worked for several prestigious design companies, including Cassina and B&B Italia, developing a range of iconic furniture pieces that are both innovative and timeless. Afra’s designs reflected a strong focus on enhancing the user experience, creating furniture that was not only beautiful but also practical and comfortable.

    One of their most famous designs is the Soriana Sofa (1969), which is considered one of the masterpieces of the 20th century in the history of furniture design. The Soriana combines luxury, comfort and a sculptural form, with soft, pliable upholstery held by a metal frame. This design won the prestigious Compasso d'Oro award and became an iconic piece of the Italian design movement of the 1960s and 70s.

    Afra's designs often incorporate elements of refinement and playfulness, with attention to detail and a strong relationship between material and form. Her work is also known for its innovative use of materials and the ability to combine industrial processes with artistic expression. In addition to furniture design, she has also created accessories, lighting and other interior pieces, always with the same approach of elegance and functionality.

    Afra Scarpa is often praised for her ability to combine traditional craftsmanship with modern production methods, making her designs both timeless and forward-thinking. Her work has earned her a respected place in the Italian design tradition, and her furniture remains beloved by collectors and users worldwide. Together with Tobia Scarpa, Afra made a significant contribution to the refinement of Italian design, and her designs remain relevant in modern interiors today.

  • Pierre Guariche

    Pierre Guariche (1926–1995) was an influential French furniture and industrial designer best known for his work in the 1950s and 1960s. He played a major role in the development of modern design in France, with a focus on functionality, simplicity, and the use of new materials and industrial techniques. Guariche was a pioneer in designing furniture and lighting that was not only aesthetically pleasing but also practical and affordable.

    Guariche began his training at the École Nationale Supérieure des Beaux-Arts in Paris, where he specialized in architecture and design. After his studies, he began working for various designers and companies, including Pierre Disderot, which allowed him to develop his style. In the 1950s, he set up his own design studio, where he designed furniture, lighting, and interior accessories.

    His designs were characterized by clean, geometric shapes and a combination of industrial materials such as metal, wood and plastic. He was known for using new production methods, which made it possible to create high-quality furniture at a lower cost. One of his most famous designs is the G24 lamp (1954), a lamp that captured the essence of Guariche's style: elegance combined with a practical design.

    Guariche was also known for his innovative furniture, such as the Scoubidou chair and the Coquillage armchair , which featured organic forms and modern, minimalist lines. His work reflected the influence of the modernist movement, as well as the emerging industrial production techniques of the time. He was one of the designers who renewed and modernized French design in the post-war period, and his work was praised for its functional yet artistic approach to design.

    His designs were praised for their simplicity and functionality, with an emphasis on the use of affordable materials without compromising aesthetics. Guariche's work not only influenced the French design world, but was also internationally appreciated. His lamps and furniture are still sought after by collectors and are exhibited in museums around the world.

  • Michel Ducaroy

    Michel Ducaroy was a French designer best known for his work for the furniture company Ligne Roset. He was born in 1925 and went on to become one of the most influential designers of the 20th century, especially in the world of modern interior design. Ducaroy was known for his innovative and playful approach to furniture, combining comfort and aesthetics in a way that was progressive for his time.

    One of his best-known designs is the Togo , an iconic low sofa introduced in 1973. The Togo design, with its unusual, quilted shapes and deep pleats, broke with the traditional furniture style of the time. It was comfortable, functional and had an informal look that reflected a new, more relaxed approach to living. The Togo remains one of Ligne Roset's best-selling pieces and is often seen as one of the most important symbols of the 1970s design movement.

    Ducaroy's style was characterised by the use of innovative materials and shapes. He was a pioneer in modular furniture and soft, ergonomic designs that were not only beautiful but also invited use and relaxation. He worked a lot with fabrics that matched the bold shapes of his furniture and had an eye for the interaction between the furniture and its surroundings.

    His designs reflected the spirit of the 1960s and 1970s, which focused on functionality, freedom and experimentation. Ducaroy was a designer who understood the importance of creating furniture that was not only practical, but could also change the atmosphere of a space and the way people found themselves in it. It is therefore not surprising that his work continues to influence interior design and furniture production to this day.

  • Pierre Paulin

    Pierre Paulin was an influential French furniture designer, born in 1927 and famous for his innovative and expressive designs that transformed the furniture world in the second half of the 20th century. Paulin was a pioneer of modern French design and was known for his playful approach to forms and materials, combining comfort and aesthetics in a way that was radical at the time.

    Paulin began his career in the 1950s, initially working with the iconic French brand Artifort, where he created many of his famous designs. His style was characterized by organic, flowing lines and a certain playfulness that made his furniture inviting and comfortable. He blended sculptural aesthetics with practicality, making his designs both visually striking and ergonomically appealing.

    One of his most famous designs is the Ribbon Chair from 1966, which made a groundbreaking statement in the design world with its undulating, minimalist lines and use of upholstered forms. The chair got its name from its flowing, ribbon-like design that seemed to glide perfectly through space. Another famous design by Paulin is the Orange Slice Chair from 1969, with its round, inviting shapes that emphasize comfort without sacrificing style.

    Paulin was also a designer who understood the importance of the human being in space. His furniture was designed to enhance the user's interaction with the space. He did not see furniture as static objects, but as elements that were part of the interior's dynamics, changing and complementing the space.

    Over the course of his career, Paulin worked with several major companies and created furniture for prestigious institutions, including the Élysée Palace and other iconic public buildings. His work has had a lasting influence on the furniture industry, and his designs are still considered classics.

    Paulin was not only a furniture designer, but also a visionary who helped define the direction of modern French design. His work embodies the freedom and creativity of the 1960s and 1970s, and his influence can still be seen in the contemporary design world today.

  • Hans-Agne Jakobsson

    Hans-Agne Jakobsson: Master of Mood Lighting (1919–2009): was a Swedish designer who left his mark on the world of lighting. His work, characterised by a unique combination of functionality and aesthetics, is still praised for its ability to create a warm and inviting atmosphere. Jakobsson is often associated with Scandinavian design, a style known for its minimalism, timeless elegance and attention to craftsmanship.

    Jakobsson was born in Hvadhem on the Swedish island of Gotland. He trained as a cabinetmaker, a skill that would greatly influence his career, and later studied architecture. After a brief stint as an industrial designer at General Motors, he worked with legendary Swedish lighting designer Carl-Axel Acking. This experience inspired him to focus entirely on lighting design.

    In 1951 he founded his own company in Markaryd, a small town in southern Sweden, which became the birthplace of his most iconic designs and the place where he refined his philosophy of lighting.

    Hans-Agne Jakobsson believed in the power of subtle lighting. At a time when harsh, functional lighting was the norm, he created lamps that diffused light, creating a soft, relaxed atmosphere. His use of natural materials such as brass, copper, wood and glass enhanced this effect and gave his designs an organic, warm look.

    One of his most famous innovations was the use of laminated wood and finely woven fabrics to prevent glare. This resulted in lamps that were not only practical but also added a sculptural element to interiors. The harp lamp and the Gloria series of pendant lamps are among his most recognizable works.

    Jakobsson also experimented with candlelight. His candlesticks and tealight holders, often made of metal and glass, were as sophisticated as his electric designs.

    Although Jakobsson was mainly known in Scandinavia during his lifetime, his designs have gained worldwide recognition in recent decades. Vintage pieces by Hans-Agne Jakobsson are now highly sought after and are often included in prestigious design auctions. His influence can be seen in modern lighting trends, where atmospheric and custom-made lighting is becoming increasingly popular.

    Hans-Agne Jakobsson's work embodies the essence of Scandinavian design: combining simplicity, craftsmanship and a deep appreciation for the way light can transform a space. His creations remain beloved by design enthusiasts who value both timeless aesthetics and functionality.

  • Gae Aulenti

    Gae Aulenti (1927–2012): was an Italian architect, industrial designer and scenographer, known for her versatility and ability to transform spaces and objects with a distinct sense of aesthetics and functionality. Her career spanned more than six decades and included a wide range of projects, from furniture and lighting to architectural renovations and exhibition design. Aulenti's work embodied a deep understanding of historical context combined with a contemporary vision, giving her a unique position within the international design field.

    Aulenti graduated from the Politecnico di Milano in 1954, where she studied architecture. She was one of the few women in the predominantly male architectural world of the time, and quickly distinguished herself with her daring and intellectual approach. She began her career at the influential magazine Casabella , where she was deeply involved in discussions of modernism and architectural theory.

    One of her most famous contributions to industrial design is the Pipistrello lamp (1965), an iconic piece that adds a touch of playfulness and elegance to any interior. Designed for Martinelli Luce, the lamp combines sculptural forms with practical functionality and remains a classic to this day. She also designed furniture and objects for brands such as FontanaArte, including tables, mirrors and lighting characterized by their simple yet powerful forms.

    In the architectural world, Aulenti achieved great recognition for her renovations of historic buildings. One of her most influential projects was the transformation of the former Gare d'Orsay train station in Paris into the Musée d'Orsay, which opened in 1986. Her design preserved the historic grandeur of the building while creating a modern space ideally suited to exhibiting Impressionist and modern art. Other prominent projects included the Palazzo Grassi in Venice and the Asian Art Museum in San Francisco.

    Aulenti had a deep respect for history and context, but she was also a pioneer who was not afraid to challenge convention. She combined tradition and modernity in a way that felt timeless, always finding a balance between aesthetics and functionality. Her legacy includes not only an impressive body of work, but also her role as an inspirational figure for female designers and architects worldwide.

  • Verner Panton

    Verner Panton (1926–1998): was a Danish designer and one of the most innovative and influential figures in modernist design of the 20th century. He is known for his groundbreaking use of colour, futuristic forms and unconventional materials, which pushed the boundaries of traditional Scandinavian design. In contrast to his contemporaries, who favoured natural materials and understated designs, Panton opted for vibrant colours and synthetic materials, which earned him a unique place in the design world.

    Panton studied at the Royal Danish Academy of Fine Arts in Copenhagen and worked for a time with the legendary designer Arne Jacobsen, with whom he laid the foundation for his experimental approach. He soon started his own studio, where he experimented with new techniques and materials such as plastic, foam and fibreglass.

    One of his most iconic designs is the Panton Chair (1960), the first chair to be made entirely from a single piece of plastic. Produced by Vitra, this chair is not only a technical masterpiece, but also a symbol of the free, futuristic spirit of the 1960s. With its flowing lines and vibrant colours, the Panton Chair has become a design classic that is admired worldwide.

    In addition to furniture, Panton also designed complete interiors in which he played with color and form to create compelling spaces. A well-known example is the Visiona 2 pavilion (1970), designed for the Cologne Furniture Fair. This futuristic installation consisted of organic, colorful forms that challenged conventional ideas about interior design. Panton used color not only as decoration, but as a powerful tool to influence emotions and atmosphere.

    Panton's lighting is also legendary. His Fun lamps, made of mother-of-pearl discs, and the geometric Globe lamps reflect his love for sculptural, playful forms that are also functional.

    Although his work declined in popularity in the 1970s, Panton experienced a revival in the 1990s, with his designs once again being appreciated as timeless and visionary. Today, his pieces can be found in museums and private collections around the world, and his influence is clearly visible in contemporary design.

    Verner Panton is remembered as a master of creativity and imagination, a designer who challenged the conventions of his time and created a new vision of the future. His work continues to inspire designers and design enthusiasts who dare to dream outside the box.

  • Arne Vodder

    Arne Vodder (1926–2009): was a Danish architect and furniture designer known for his timeless and refined designs. He belonged to the second generation of designers within the Danish modernist tradition, a movement that conquered the world with its emphasis on simplicity, functionality, and craftsmanship. Vodder was a student of Finn Juhl, a pioneer of Danish modernism, and his work was strongly influenced by Juhl's philosophy of organic design and subtle refinement.

    Vodder focused primarily on furniture design and was known for his use of natural materials, such as teak, rosewood and oak. His designs were often minimalistic and functional, but always with an eye for detail and a certain playfulness. An example of this is the use of colored panels in his sideboards, which added a playful and personal touch to his otherwise sleek designs. These designs were not only aesthetically pleasing, but also extremely practical and versatile, making them suitable for both living and working environments.

    One of his most iconic pieces is the teak desk with organically shaped drawers, which perfectly represents the balance between sculptural design and functional use. These desks, often produced by Sibast Furniture, are today highly sought after on the international design market. Vodder worked with prestigious manufacturers such as Fritz Hansen, France & Søn and Sibast, which placed him at the top of the Danish design scene. His work was exported worldwide, and his furniture has adorned the offices of American presidents and prominent institutions, among others.

    Despite his worldwide success, Vodder's designs remained true to the Danish design philosophy, which focused on simplicity, honest use of materials and a timeless aesthetic. His furniture is now considered icons of Scandinavian design and is much sought after by collectors and mid-century modern enthusiasts. Arne Vodder left behind a legacy that shows how good design is not only functional, but also adds beauty and warmth to everyday life.